This groundbreaking organization invites women of color into galleries, museums, and cultural hubs worldwide, creating spaces for dialogue, inspiration, and empowerment.
The journey of Black Girls in Art Spaces began with a simple yet profound realization. In 2021, Kaci Merriwether-Hawkins noticed recurring comments on her social media posts about art spaces—many expressing surprise at discovering such opportunities in their own cities. This observation sparked an idea that would soon transform into a global phenomenon.
Motivated by the lack of representation in traditional art settings, Merriwether-Hawkins envisioned a world where women of color could freely explore and engage with art without feeling out of place. Her dream materialized when she organized the inaugural event at Daisha Board Gallery in Dallas's Tin District in 2022. Despite having only two days to prepare, the turnout was overwhelming, setting the stage for what was to come.
As the group grew, so did its impact. Events now span across continents, bringing together women who share a passion for art and culture. One notable gathering took place at the Dallas Museum of Art during Black History Month, where attendees explored "When You See Me," an exhibit showcasing works by underrepresented artists.
This experience resonated deeply with participants like MacKenzie Jenkins, Veronica Gilliams, Christine Emesiani, and Brittany Burden-Knox. For them, it wasn't just about viewing art—it was about sparking conversations around identity, inclusion, and belonging. Jenkins noted how the group broadened her perspective on Dallas as an artistic hub, while Gilliams emphasized the importance of celebrating diverse voices within the art world.
An integral part of Black Girls in Art Spaces' mission is shedding light on lesser-known art cities, particularly those in the South. Cities like Montgomery, Alabama, and Raleigh, North Carolina, have become focal points for these events, offering fresh perspectives and untapped talent. By organizing gatherings in these locations, Merriwether-Hawkins ensures that all voices are heard and valued.
Beyond geographical reach, the organization prioritizes supporting living Black artists, ensuring they receive recognition during their lifetimes rather than posthumously. This commitment extends beyond mere appreciation; it fosters genuine engagement through interactive sessions and personal interactions. Such efforts were exemplified during an intimate evening at Pencil on Paper Gallery in Dallas, where guests enjoyed a cozy atmosphere while discussing themes of womanhood and identity with artist Desireé Vaniecia.
The ripple effect of Black Girls in Art Spaces extends far beyond individual events. It cultivates communities rooted in mutual respect and shared purpose, empowering members to redefine their relationship with art. Valerie Gillespie, owner of Pencil on Paper Gallery, attested to this transformative power, describing how one particular event left attendees feeling uplifted and inspired.
Looking ahead, the organization continues to evolve, adapting to new challenges and opportunities. Whether through private tours, panel discussions, or collaborative projects, Black Girls in Art Spaces remains committed to amplifying the voices of Black artists and patrons alike. As more chapters emerge worldwide, the potential for growth and influence grows exponentially, promising a brighter future for inclusivity in the arts.